Guernica Remembered

Picasso's Guernica (click to enlarge) image: wikipedia
Bob from Brockley reminded me that Thursday was the 70th anniversary of the bombing of Guernica by the Nazis and Italian Fascists supporting Franco's Nationalist forces during the Spanish Civil War. The brutal bombing, which caused widespread firestorms from the use of thousands of incendiary bombs, killed anywhere from 250-1,600 civilians and destroyed most of the ancient Basque town. Fighter pilots machine gunned those who survived the initial bombings and fled to surrounding fields.
The bombing of Guernica came to symbolize the atrocity of war campaigns directed at civilians thanks in large part to Pablo Picasso's famous mural depicting the massacre. In the 1970's, Picasso's Guernica also came to symbolize the Basque left and the struggle of Basque Nationalists. For more, see this article in the Guardian last year.
And here's some music inspired by the Spanish Republic's fight against fascism in the Spanish Civil War. Starting with "Homage to Catalonia" from the Durutti Column's sample heavy Vini Reilly (although "Homage" is just Reilly's solo Spanish guitar, ghostly vocal samples occasionally permeate the (distant) background). Homage to Catalonia is, of course, the title of George Orwell's account of his time fighting with the International Brigades supporting the Spanish Republican forces in Catalonia. Coincidentally, Adam from hahamusic and I recently had an email exchange about Orwell's Spanish Civil War account and the title of this blog.Up next is the second incarnation of Charlie Haden's Liberation Music Orchestra. The first Liberation Music Orchestra album, released in 1969 as opposition to the Viet Nam War was growing, adapted songs from the Spanish Civil War with arrangements and compositions by Haden and the great Carla Bley. Bley, along with Dewey Redman, Paul Motion and Don Cherry, rejoined Haden for the Liberation Music Orchestra's 1983 follow-up. The Ballad of the Fallen was a musical statement in opposition to the Reagan Administration's Latin American Policy, particularly the intervention in El Salvador. The most recent incarnation of the Liberation Music Orchestra released Not In Our Name in 2005 (in opposition to the war in Iraq, obviously).
But back to The Ballad of the Fallen. In addition to several songs from the Spanish Civil War, the album includes "La Pasionaria," a Haden composition in the same style dedicated to Dolores Ibarruri, the woman responsible for the "No Passaran" (they shall not pass) rallying cry in the fight against Franco. It's one of the album's many highlights.
None of this music is about the bombing of Guernica or the Basque Nationalist opposition to the fascists. But it is about the fight for freedom and opposition to fascism.
The hillsides ring with "free the people!"
Or can I hear the echo from the days of '39?
I'm hearing music from another time
Spanish bombs, yo te quiero infinito
Yo te quiero, oh mi corazón
My señorita’s rose was nipped in the bud . . .
-- The Clash "Spanish Bombs"
BONUS: Since I was just talking to a friend last night about Jonathan Richman, here's the Modern Lovers classic "Pablo Picasso" ("some guys try to pick up girls and get called asshole / this never happened to Pablo Picasso / he was only 5'3" but girls could not resist his stare / Pablo Picasso was never called an asshole / not like you"). See rock in Boston for more on Jonathan Richman.
peace
. . .
Labels: Charlie Haden, Durutti Column, Jazz, Jonathan Richman, Liberation Music Orchestra, Political Music, Post-Punk, The Clash


























9 Comments:
Great entry (LOVE the Modern Lovers), and thanks for the shout of course. For all your readers in NYC, there's an amazing exhibit at the Metropolitan Museum of Art right now called "Barcelona and Modernity: Gaudi to Dali" that is definitely worth checking out.
Great selection! And thanks for the link
b
Hadn't heard 'Spanish Bombs' until today - what a GREAT song :-)
thanks guys!
and etno -- you really should own most, if not all, of London Calling and Sandinista! : )
(actually, just about everybody should). Throw in "Armagideon Time / Justice Tonight / Kick it Over" from Black Market Clash for good measure. Love the Clash's take on early '80s dub.
too bad it's not avail on emusic. iTunes, though.
Rudie Can't Fail ("sing Michael, sing! on the roof of the 19 bus")
Amigos de "Durutti" (rectius DURRUTI): no habléis de lo que no sabéis. El bombardeo de Guernica y las Brigadas Internacionales son dos de los muchos mitos del Komintern y la propaganda soviética. Charlie Haden es un gran músico, pero sus ideas políticas son propias de un completo ignorante de la historia, La Pasionaria fue antidemócrata y estalinista, cómplice de horrorosos crímenes de un sistema antihumano.
Un español.
hey anon:
thank you for your comment. you are right about La Pasionaria -- I really don't know anything about Dolores Ibarruri other than her accomplishments as part of the anti-fascist fight during the Spanish Civil War.
I'm also quick to realize that the anti-fascist cause of the Republicans, the Popular Front, and International Brigades in the war has been unrealistically romanticized by progressives and the left in the US, UK, and elsewhere. Charlie Haden's Liberation Music Orchestra (and the Clash's "Spanish Bombs") reflect that glorification. The complexities of the Popular Front and politics of the time -- things i know very little about -- are conveniently glossed over by the romanticizing.
But I think your assertion that the International Brigades and the bombing of Guernica were "myths" (are you serious?) is ridiculous and inflammatory. Exaggerated and used as propaganda by the Soviets, sure. fine. whatever. But labeling them "myths" is propaganda.
p.s. "Generalissimo Francisco Franco is still dead"
Pido disculpas. La palabra "mito" no la empleo en el sentido de "inexistente" o "falso", sino en el que usted utiliza: exagerado, magnificado y manipulado por la propaganda.
Tranquilo, Franco está MUY muerto.
Saludos desde España.
OK. claro. (that's what i assumed you meant, but wasn't sure -- nuanced meaning lost in translation).
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